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"You've no right to speak of my friends that way. . . . But I'm not going to be cross with you. No, I'm not. You're tired and not yourself. Dr. Brooker was saying so only yesterday."
Like Henry a few months earlier a revelation seemed to come to him that Life was the gate to Art, not Art to Life. He surely had been taught that lesson again and again and yet he had not learnt it.
"You bloody young fool, he never said you weren't to let me have it."
"No, I won'tunless you can laugh as well. But you're going to get into a mess over this as sure as you're Henry Trenchard, and if I don't know all about it, I shan't be able to help you when the time comes that you need me."
"I'm here," Henry cried valiantly, feeling for his pince-nez, which to his delight were not broken "I'll follow you any[Pg 221]where. No harm shall happen to you so long as I'm alive."
"What's the matter with Mrs. Martin?" said Victoria, coming through into the inner room. "She seems to be upset about something."
One of the deep differences between brother and sister was that while Millie was realistic Henry was romantic. He could not help but see things in a coloured light, and now when he started out for his first morning with his Baronet London was all lit up like a birthday cake. He had fallen during the last year under the spell of the very newest of the Vers Librists, and it had become a passion with him to find fantastic images for everything that he saw. Moreover, the ease of it all fascinated him. He was, God knows, no poet, but quite simply, without any trouble at all, lines came tumbling into his head:
"What is it? Oh, sir, what is it?"
"Yes, but she doesn't want to be married."
"You're beautiful," she said. "I like all that bright colour. Purple suits you and you wear clothes well, too, which hardly any English girls do. It's clever, that little bit of white there. . . . Nice shoes you have . . . lovely hair. I wonder . . ."
No one can tell what were Baxter's thoughts, the tangle of his emotions, regrets, pride, remorse, since that last scene with Millie. All that is known is that he pushed aside some small boy pressing up with excited wonder in his face, brushed through the crowd and was gone.
Then, as the minutes swung past, he was aware that he should be doing something more than merely looking at the old letters and complimenting them on their age and pretty pathos. He should be arranging them. Yes, arranging them, but how? He began helplessly to pick them up, look at them and lay them on the table again. Many of them had no dates at all, many were signed only with Christian names, some were not signed at all. And how was he to decide on the important ones? How did he know that he would not pass, through ignorance and inexperience, some signature of world-significance? The letters began to look at him with less approval, even with a certain cynical malevolence. They all looked the same with their faded yellow paper and their confusing handwriting. He had many of them on the table, unbound from their red tape, lying loosely about him and yet the box seemed as full as ever. And there were many more boxes! . . . Suddenly, from the very bowels of the house, a gong sounded.
[Pg 134]
[Pg 263]
"I used to like to do that," she said, nodding to Henry. "When we were married years ago. Strong muscles he's got still. Haven't you, Peter? Oh, we'll be a model married couple yet."
"Very well, then. But I'll be no good. I'm no use to any one just now."
"Yes, sir," said Henry.
"I don't care. I'm going to do what he said."
"I've succeeded in procuring something," wheezed Moffatt in his ear, "if you'd kindly assist with the luggage, Mr. Blanchard."
She bent forward and kissed her friend.